As an act of direct mark making, drawing offers an immediate and spontaneous way for ideas to unfold and images to come into being. Informed by the medium’s potential to illustrate change, this exhibition brings together works from the Whitney’s collection by artists who use drawing as an act of transformation. In their hands, drawing presents a tool to reveal the unseen and make the familiar unrecognizable, or as the artist Toyin Ojih Odutola has remarked, “What it becomes is what I’m interested in.” 

Although the works in this exhibition range from the graphic arts to photographs and videos, the processes inherent to drawing play a fundamental role in the creation of each of them. Certain artists employ techniques like inscribing and erasure to alter or reclaim existing images, as seen in works by Ojih Odutola and Wendy Red Star. Others, such as David Hammons and Maren Hassinger, emphasize the tactility of the medium by using their own bodies as drawing tools or surfaces to transform their likeness. All the works bear a close relationship to the figure, ranging from traditional modes of portraiture to more abstract graphic records of human gesture. Harnessing the relationship between drawing, touch, and formation, the artists explore the malleable nature of identity and the possibility of shaping and redefining oneself.